^ Robert Dimery Michael Lydon (7 February 2006).The New Rolling Stone Album Guide (4th ed.). In Brackett, Nathan Hoard, Christian (eds.). Archived from the original on 12 March 2017. "Morrissey rises to meet solo challenge // Ex-Smiths singer feels better with 'Viva Hate '". "Morrissey Autobiography: 10 Things We Learned | Music | The Guardian". ^ a b Kinney, Fergal (23 February 2012).^ Stephen Street talks "Viva Hate" and trying to keep Morrissey happy | superdeluxeedition.Tony Wilson's version would confirm Reilly's and reported also money-related issues, which makes this case even more unacceptable for him (See an interview of Tony Wilson with Prism Films: Prism Archives "The Smiths and Morrissey: Tony Wilson 05 (of 6)". From his side, Street denied all of this. He nevertheless expressed no regret and recognized Morissey as a gifted artist and Street as a skilled technician he admitted that it was his mistake to have accepted such an agreement in the first place. Reilly felt sad about it and would have wished a better treatment. All music by Stephen Street.Ģ012 Remastered Special Edition bonus track No. The album was also included in the book 1001 Albums You Must Hear Before You Die. Viva Hate was listed by Q as one of the top 50 albums of 1988. Ī negative review came from Spin, who wrote "without guitarist/composer Johnny Marr at his side, the mahatma of mope rock seems to have gone out for a nice depressing stroll without noticing that he didn't have a stitch to wear". In its retrospective review, Pitchfork called the album "one of Morrissey's most interesting records, and certainly his riskiest", and that its "strange mix of pomp and minimal languor makes Viva Hate the only Morrissey LP you'd consider listening to just for its music". Rolling Stone called the album "a tight, fairly disciplined affair", in comparison of its sound to that of The Smiths. Viva Hate was generally well received by critics.
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Additionally, the typeface font on the front cover had been changed.Ĭritical reception Professional ratings Review scores "Hairdresser on Fire", again, is also not included on this edition. Stephen Street has said that he felt these changes were a mistake but that the track selection was changed at Morrissey's insistence. Also, the extended fadeout of "Late Night, Maudlin Street" has been changed. This edition controversially omits, along with the name of Vini Reilly, one of the original album's tracks, "The Ordinary Boys", and includes the session outtake "Treat Me Like a Human Being". "Hairdresser on Fire" does not appear on this version.Ī newly remastered, special edition of Viva Hate, supervised by Stephen Street, was released on 2 April 2012.
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It features different cover art and a different booklet (it has a photograph of a billboard for Beethoven Was Deaf and drops the lyrics) as well as eight bonus tracks – only one of which was contemporaneous with the album. In 1997, EMI, in celebration of their 100th anniversary, released a remastered special edition of this album in the UK. It was certified Gold by the RIAA on 16 November 1993. This same track was released on a 7" single that was sold with the album in Japan. The American release included the track "Hairdresser on Fire", which had been released in the UK as a B-side to " Suedehead", as track 9. The track "Margaret on the Guillotine", which described the death of then-prime minister Margaret Thatcher as a "wonderful dream", led to Morrissey briefly being questioned by the Special Branch. Viva Hate was released on 14 March 1988 by record label HMV. The album was recorded between October and December 1987. In an interview in 2014 Vini Reilly said "I want to talk about Stephen Street about whom I've said wrong things in the past this is not an excuse, this is fact, I have suffered from what they call 'displaced anger' and this is where you're very angry with yourself and you don't understand, you just shout at people you really care about." EMI Australia considered Viva Hate too harsh a title and renamed the album Education in Reverse for LP release in Australia and New Zealand, the same title appearing as an etching on the vinyl. Although all songwriting is credited to Morrissey and producer Stephen Street, the Durutti Column's guitarist Vini Reilly, who had been drafted into the sessions by Street, later claimed every song on the album except "Suedehead" had been composed by Morrissey and Reilly.